Don’t Panic is a piece of art created by Peter Tunney. Born in Washington D.C. but known to be from New York City, Tunney is an incredible artist that uses a multitude of mediums of art to create pieces that portray messages to spread positivity and encourage a different way of living. This piece of art uses acrylic paint, a collage of newspapers, magazines, artists’ books, and a cutout of words to portray a message. This specific piece of art of his has a neutral background of newspapers, both red and black paint on the foreground with a cutout of letters that spell out “Don’t Panic” with the “c” in the “panic” being backwards. This specific piece of art was made on a thick canvas that can hold the weight of the heavy globs of paint that are all over the painting, when seen up close there is texture within this piece that adds to the artistic style of Peter. The words within the painting “Don’t Panic” portray the message of staying calm and not panicking. However, the irony of this piece is that it may even cause panic for some because of the way that it is a jumble of different types of art and has a lot going on. The irony of this piece is what makes it lighthearted and represents Tunney's ideals.
My reason for choosing this piece has to do with family. My dad bought this painting for my mom many years ago. Since then, I have seen it in my house for as long as I can remember. I have developed a connection to this piece of art. Throughout the years, I have thought of it when there was a time that I would be panicking. Thus, I resonate with this piece of art and like what it stands for. I like the way that this piece of art uses collage within it. It adds depth to the painting and gives it much more to look at behind the main attraction of the piece. I could stare at it for hours and still find new parts of the piece to read into.
There are many ways that Don’t Panic can be used to teach a lesson. It can be used to teach physical art and the meaning behind art. It can be used as an example of what a college is and in a lesson on how to create your own message. This piece of art also uses contrasting elements such as collage art against a solid background. This, in turn, is another aspect of art that can be taught. Additionally, there is a message within the piece of art that cannot overlooked. Many times, works of art have a message embedded within their frame. In Don’t Panic is specifically easy to find, which makes it good when teaching students about finding meaning within a piece of art because it is so straight forward.
2
Starry Night: A sense of mystery and
lightness.
Marina Tischenkel
The
piece that I chose to write about is The Starry Night by Vincent van
Gogh. Starry night was made in 1889 yet is still one of the most
well-known artworks of our time. It is a painting that is predominately
about the night sky. The moon glimmers in the night, the stars are glow
through the hues of blue. The wind takes over the painting spiraling
with heavy brushstrokes and moving the viewers eyes across the work.
Valleys and a small town take up the bottom third of the painting,
creating a sense of groundedness. There is also some sort of dark fire
or grass tree, something uninterpretable in the foreground of this
painting. Altogether, the painting creates a sense of mystery and
lightness.
I chose Starry Night because it was one of the first artworks that I
remembered learning about as a kid. It has simplicity that a young
person can understand, yet it is extremely intricate to the point where
there is meaning beyond what is in front of your eyes. It is one of the
first artworks I used as a reference in an art class, where we learned
how to handle our brushstrokes and not be so perfect.
I would use this piece to teach a lesson on historical art.
Additionally I would use this piece to create a lesson on monochromatic
colors schemes, the color wheel, and brushstrokes. This piece has
numerous lessons within the integrity of the painting and the history
behind it.
3
Campbell Soup Cans: A Foundational Piece
Sebastian Chin
I
chose Andy Warhol's “Campbell Soup Cans.” The 1962 piece "Campbell's
Soup Cans" by Andy Warhol is regarded as a foundational piece in the pop
art movement. The artwork is made up of thirty-two separate canvases,
each depicting a distinct Campbell's Soup flavor. Using stencils and
silk-screening, Warhol used a mass-production process that reflected the
impact of mass media and consumer society on art. By bringing common,
mass-produced items up to the level of fine art, the repetitious
portrayal of soup cans subverts conventional ideas of high art. This
famous piece not only signaled a dramatic change in artistic conventions
but also helped establish Warhol as a key player in the pop art
movement, which was recognized for its investigation of the relationship
between celebrity culture, consumerism, and the arts. The soup cans
serve as a symbol between art and pop culture.
I
chose This piece because I was always fascinated by how Warhol was able
to take a mundane object, and turn it into such a captivating piece,
that became a staple of art in the 1960. I also like how Warhol conveys
that art can come in many forms, even in the form of an everyday
object.
I would use the Campbell's soup cans to teach about art in pop culture. I would also teach the elevation of everyday objects. I would use this idea to teach my students abstract art. They would learn how to observe objects from different perspectives. They would value mundane objects as an artistic expression of modern consumerism.
4
The
central focus
Garrett Francis
"A Friend in Need" is a renowned art piece that is
part of the larger series titled "Dogs Playing
Poker," commissioned by Brown & Bigelow Cigars in
1903 and created by Cassius Marcellus
Coolidge. In this particular painting, a group of dogs is
depicted sitting around a poker The dogs are
dressed in human attire, each character displaying
unique personalities and expressions as they engage
in a high-stakes poker game. The
central focus is on two dogs in the foreground, with one cleverly
passing an ace card to his
companion, highlighting the humorous nature of the composition.
The significance of "A Friend in Need" lies in its
ability to seamlessly blend humor and artistic
expression. This piece resonates with me because it
transcends the conventional expectations
of fine art by infusing playfulness into the subject matter.
The anthropomorphism and the
satirical take on human behavior add layers of charm and
accessibility to the painting. While
other artworks may be deemed more serious or traditional,
this particular piece stands out for its
unique combination of skillful execution and lighthearted
narrative, making it a memorable and
enjoyable work of art.
In an educational context, "A Friend in Need"
could be utilized to teach various subjects, such
as art appreciation, narrative storytelling, or even ethical
decision-making. In an art class,
students could analyze Coolidge's use of color, composition,
and character design to
understand how these elements contribute to the overall
impact of the painting. The narrative
aspect of the artwork also lends itself to discussions on storytelling
and character development.
Alternatively, in a philosophy or ethics class, the painting
could be a starting point for
discussions about honesty, camaraderie, and the consequences
of one's actions. By
incorporating "A Friend in Need" into the
curriculum, educators can engage students in
interdisciplinary discussions and foster critical thinking
skills through the lens of this iconic and
playful artwork.
5
Hidden Sexual Aspect to the Mona Lisa
Rudolph Stonisch
L.H.O.O.Q. is a seminal work by the French artist Marcel
Duchamp, created in 1919. It is
an altered postcard reproduction of Leonardo da Vinci’s
renowned "Mona Lisa." Duchamp
defaced the image with a moustache and goatee, and appended
the title "L.H.O.O.Q.," which
when read out loud in French sounds like "Elle a chaud
au cul," translating vulgarly to "She is
hot in the behind," insinuating a hidden sexual aspect
to the Mona Lisa. This act of irreverence
by Duchamp is an early example of Dadaism and conceptual
art, where the idea behind the work
assumes as much importance as the work itself.
To me, L.H.O.O.Q. represents the quintessence of challenging
established norms and
provoking thought beyond traditional aesthetics. In a world
often confined by the rigidity of
classical appreciation, Duchamp's iconoclastic approach
opens a dialogue about the sanctity and
perceived immutability of art. This piece, more than any
other, embodies the spirit of questioning
and re-evaluation that I find essential not just in art, but
in all facets of knowledge and culture. It
reminds me that questioning even the most revered traditions
can yield profound insights and
stimulate progress.
In a teaching context, I would use L.H.O.O.Q. to introduce
the concept of critical
thinking in a literature class. Just as Duchamp took a
canonical piece of art and recontextualized
it, students could be encouraged to take classic literary
works and analyze them through modern
lenses—such as post-colonialism, gender studies, or
psychoanalysis. This piece serves as a
perfect metaphor for the deconstruction of texts, inviting
students to strip away layers of
historical reverence to critically examine the underlying
assumptions and potential biases in
literature. In doing so, they would learn not to accept
information at face value, fostering a
classroom environment where inquiry and discourse are as
valued as the literature itself.
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